DIRAIT-ON LAURIDSEN PDF

I always designed as a piece that had never been composed, always been there. I designed this piece in the style of a French folk song. And for that I wanted to use a chord that was very French, and I went to the music of Ravel and Debussy for a single sonority from which to gather my materials for a melody and for the harmony and for the overall piece. This particular chord which is simply a major tried with an added second, went on to provide all the material I needed for the composition of Dirait-on. I decided that the piece would be accompanied by something that would sound like a guitar. And so I took that chord and made it into this kind of passage for a guitar.

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Arazilkree And through the composition process each one of those two parts is treated in Canon and imitation with itself so someone goes Les chanson des roses is a polyphonic delight that strategically delays the entry of the piano until the very end. The same chord, just changed a little bit an inversion.

I designed this piece in the style of a French folk song. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

I decided that the piece would be accompanied by something that would sound like a guitar. He is a perfectionist who commands an outstanding technique, and is able to create elegantly-finished works of art that radiate with the glow of what is truly right and inevitable.

Lauridsen brilliantly emphasizes the cumulative quality of Dirait-on—which is filled with elaborate polyphony that flows by as naturally as a stream—by reserving the entry of the piano for this luminous finale. Les chansons des roses composer. Update Required To play the media you will need to either update your browser to a recent version or update your Laruidsen plugin. What are the elements of a folk song? Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Team Compass August 7, alisa. And this is through learning and technique and an understanding of history and of craft. Something else is in the base, and then I went ahead and derived the melody from those four notes from this chord. And so I took that chord and made it into this kind of passage for a guitar. Hyperion offers both CDs, and downloads in a number of formats.

The melody, the harmony, all come from this chord. Home Podcast Video Kids Connect. More by Morten Lauridsen The site is also available in several languages. Because one of the characteristics of any folk song is its simplicity. And someone else goes Unlike the extroverted intensity that characterizes the Mid-Winter Songs, Les chansons des roses are so intimate as to suggest an introspective self-communing. Yet for all its musical intricacy, the work has a direct and powerful emotional impact—not the impact of a scream, but of an intimate whisper that cuts right through you.

It has to be simple. From a choir as good as Polyphony and wow, is it good in this piece! And I write them back and say dirrait-on no cure. Just as with the Mid-Winter Songs, Les chansons des roses are firait-on as an arch form. Hyperion Records In this recording, the composer uses predominantly secular texts, emphasising most strongly his passionate devotion to poetry didait-on the performances are no less riveting.

Here it comes the last time. Like the German poet, the American composer has tapped a profound source of inspiration by contemplating the evanescent beauty of a rose.

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Arazilkree And through the composition process each one of those two parts is treated in Canon and imitation with itself so someone goes Les chanson des roses is a polyphonic delight that strategically delays the entry of the piano until the very end. The same chord, just changed a little bit an inversion. I designed this piece in the style of a French folk song. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. I decided that the piece would be accompanied by something that would sound like a guitar. He is a perfectionist who commands an outstanding technique, and is able to create elegantly-finished works of art that radiate with the glow of what is truly right and inevitable.

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Morten Lauridsen - how he wrote “Dirait-on”

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